Doors at 7:00pm
$23 Advance/$26 Day of show
All ages show. Check entry requirements at http://theslowdown.com/All-Ages
"This one is different," says Brian Fallon. "This one is mine."
Bursting at its seams with huge hooks, big choruses, and enormous heart, PAINKILLERS marks the first solo album from Brian Fallon, known far and wide as singer/guitarist of the Gaslight Anthem, as well as such acclaimed outfits as The Horrible Crowes and Molly & The Zombies. Produced by studio superstar Butch Walker (Taylor Swift, Frank Turner, Keith Urban), richly textured songs like "Long Drives" and the addictive title track encompass the great rush and flow of American music, fusing sonic hits of heartland country and folk with hardcore punk energy and classic rock 'n' roll swagger. PAINKILLERS once again affirms the NJ-based rocker's elemental gifts as a songwriter and storyteller, booming with insistent imagery, narrative craft, and the extraordinary emotional acuity that has informed his music since the very start.
"I've had this sound kicking around in my head for so long," says Fallon, "but it took maturity to get it out."
Fallon decided to begin work on PAINKILLERS immediately following the announcement of The Gaslight Anthem's indefinite hiatus. Though his prior extracurricular projects were made under alternate band monikers, a dear friend suggested that this time perhaps he might think otherwise.
"She said I was limiting myself," Fallon says. "'If you make a Horrible Crowes record, then you've got to make Horrible Crowes music. You have to float within those guidelines. But if you use your own name you can make any record, you can change throughout your career, work with different musicians, be whatever you want to be and then wrap it all together.' That's one of the best pieces of advice I've ever gotten."
Solo or otherwise, Fallon knew he couldn't make his record all alone. He considered a number of potential collaborators but again and again, Butch Walker's name kept coming up as an ideal match. A meeting was arranged and the two musicians hit it off from the jump, tracking four demos in three days, including fleshed out versions of "Painkillers" and "Nobody Wins."
"It was just like fast friends," Fallon says. "All the sounds fell into place. There wasn't any searching - it was all right there. We had a blueprint from the records we grew up on."
More info and music at http://theslowdown.com/