Fruit Bats at Reverb Lounge

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Fruit Bats

Tickets $15 ADV / $17 DOS

On Sale 9/23 at 10am: http://bit.ly/2csfwlq

ALL AGES

Doors at 8PM

Eric D. Johnson was ready to drive the car off the cliff. He bristles at the memory and the metaphor. Instead, he recalls, he and his wife drove their Toyota Echo-so old it lacked power locks-through the Redwood forest the day they got the bad news. Their baby, due on his wife's 40th birthday, didn't make it past the first trimester. "I was so grief-stricken," recalls Johnson. "I wanted to blow up my life."

And so he started over. He abandoned the Fruit Bats band name that carried him for

16 years and five successful studio albums. He ditched the moniker that connected

him to stints playing with The Shins and Vetiver and Califone. Instead, Johnson

continued pursuing other musical passions. He focused more on scoring films

(having already contributed to works like Smashed and Our Idiot Brother). He

produced Breathe Owl Breathe's 2013 album Passage of Pegasus and grew his

Huichica Music Festival in Sonoma, California.

Then, in 2014, Johnson released a solo album. That record, released under his own

name and simply titled EDJ, "was the outpouring of grief" resulting from those

experiences.

"The EDJ record was about how making something-like a person-is really easy

for some people and really not for some people," he says. "I was so sad about that,

but also fearful to discuss it."

In the process of grieving, reflecting, and resigning himself to his new realities,

Johnson realized how much weight a name can carry and how much of his sense of

self was contained in just two small words.

Eric D. Johnson is Fruit Bats. And Fruit Bats is back.

"I'm finding my identity again," he begins, "which is somehow, weirdly this dumb

fake punk rock name that I put on a four-track tape."

Fruit Bats' sixth album Absolute Loser represents a triumphant return to name, form, and self. Despite implications, its title refers to the furthest depths of loss itself, rather than the state of those who have lost something. It's the most honest, most confessional album of Fruit Bats' career.

Johnson draws from deeply those personal experiences, yet Absolute Loser

encapsulates universal themes and emotions. While "My Sweet Midwest" could be

taken completely literally, it addresses the holistic nature of finding your center

during turmoil. "Baby Bluebird" stings in its portrayal of losing what you never

really had. Album closer "Don't You Know That" is about picking yourself up, even

when no one seems to care how far you fell.

Musically, Absolute Loser retains the same structural pop elements that made Fruit

Bats so beloved in the first place. Its simple sounding melodies belie such thick

musical textures, as some tracks incorporate up to 10 guitar tracks layered on top of each other. Johnson also hearkens back to his days teaching banjo at Chicago's Old Town School of Folk Music, and that instrumentation adds a folksy, Americana spirit to record.

Fruit Bats' rebirth parallels Johnson's resiliency, and Absolute Loser is his treaty on how to redefine oneself after tragedy. Although he maintains that he doesn't have it all figured out quite yet, Johnson acknowledges that with that self-awareness comes some sort of acceptance.

"I am what I am," he says. "And that's freeing in a way."

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Reverb Lounge

402-884-5707

Located in the heart of Benson, Reverb is a welcome addition to the list of venues in Omaha. With a state-of-the-art sound and lighting...